Tuesday, September 7, 2010

STORY ABOUT ART FORGERY IN THE NEW YORKER

"The Mark of a Masterpiece:
The man who keeps finding famous fingerprints on uncelebrated works of art."

Well written story about the art world, with interesting insights on connoisseurship, authentication, & forgery.  There are many parallels to the tribal art market.

By David Grann, A Reporter at Large, The New Yorker magazine, July 12 & 19, 2010
For direct link to the story on The New Yorker website, please go to:

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