Tuesday, September 7, 2010
STORY ABOUT ART FORGERY IN THE NEW YORKER
"The Mark of a Masterpiece:
The man who keeps finding famous fingerprints on uncelebrated works of art."
Well written story about the art world, with interesting insights on connoisseurship, authentication, & forgery. There are many parallels to the tribal art market.
By David Grann, A Reporter at Large, The New Yorker magazine, July 12 & 19, 2010
For direct link to the story on The New Yorker website, please go to: